claudiaphares

The Great Mother by Claudia Phares

I picked up the catalog for the show "The Great Mother: Women, Maternity, and Power in Art and Visual Culture, 1900-2015" curated by Massimiliano Gioni in 2015. Great essays and interviews on how the image of the mother has been interpreted over the last 100 years or so under various socio-political and artistic movements over time. The exhibition featured male and female artists who challenged in their own creative manner the projected social constructs idealising the image of the mother at the time.

I cannot easily shake off the village. -Thoreau by Claudia Phares

'Good Grief!' was on last week and was well received. I performed (with a guest) and I really enjoyed the experience. I had planned to spend the whole opening inside the structure. I cannot easily shake off the village. - Thoreau was about my ideal form of escape: a structure that would serve as both a workspace on its upright position and as a resting space once lying on its side. Moving, lifting, & tilting of the structure all had to be performed by myself. I saw these basic tasks as fundamental in representing effort in seeking some personal space to think or to relax.

F generation: feminism, art, progressions by Claudia Phares

I've been part of a collective of artists mums for the past year. Together, we collaborated to submit a document in response to what feminism is to us today for the F generation: feminism, art, progressions exhibition that took place in October 2015. The final document which featured texts and visual art work was going to be archived in the Melbourne Women's Art Register.

The following image was what I submitted.

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Compromise by Claudia Phares

As part of the 2nd year VCA Photography class, we put together this show Compromise. The idea was to ask a non-artist relation to suggest a modification to a selected work of our choice. And we did as we were told!

I submitted this image I took while visiting my parents in Montreal back in 2013.